Christie Parson has constant nightmares of her father’s death whom died in a swimming pool. Christie’s mother thinks it was an accident, but Christie believes in was murder. Christie then see’s an unknown figure dressed in a cape following her and harassing her. But still nobody believes her, until her boyfriend sees the figure himself. The figure hides in the town mortuary which is owned by Hank Andrews and his demented son, Paul and both are trying to form rituals to bring back Dr. Parson’s spirit. But who is this figure and why is he harassing Christie?

Twenty-seven-year-old Deandrea Smith, wife of prominent business owner Walter Smith, deals with his treacherous actions causing her to become destitute and enraged with revenge. Deandrea confides in her best friend, Nola, an exotic dancer, and they recruit two more women, Crystal, a religious single mother, and Daisy, a street thug, to help them execute a plan to steal $50,000 from Walter. After the successful theft from Walter, the group decides to try their fortune at bigger spoils and come up with a plan to rob Nola’s place of employment, the strip club, dubbing themselves, The Bag Girls. Gaining notoriety, The Bag Girls are hired to do a job that’s way over their head when they’re put up against the Cuban mafia.

As war looms on the horizon, a hopeful ingenue (Zoe Tapper) finds herself caught between the warring affections of a playwright (David Leon) and a director (Andrew Lincoln) in 1930s London. Director Julia Taylor-Stanley’s heartwarming ensemble piece features zesty performances by Anjelica Huston as an eccentric investor, Mark Umbers as a vain matinee idol, and Terence Stamp as a tart butler. And don’t miss the immortal Lauren Bacall in a small role.

A cold day in January 2006. The police make a horrible discovery in the Swedish town of Hudiksvall: In one night, 18 people have been brutally murdered in the small town. The police suspect a madman is behind the bestial act. But when judge Birgitta Roslin hears the news, she instantly knows that her grandparents August and Britta Andrén are among the victims. And even more: Almost everybody killed somehow relates to her. She realizes that the police are following a wrong track and starts to investigate on her own. Her search leads Brigitta to China where she finds out about the cruel scheming of the leading elite.

Anita, Rita, Ricardo and Andrés have been attending a school for children with Down syndrome for 40 years. After all this time, they are starting to tire of this safe, familiar environment. Now over 45 years old, some of them feel that working in the school bakery is no longer a challenge. They also yearn for freedom on a more personal level. Anita and Andrés are in love but still live with their families. They dream of finding a quiet place to be alone together, and they want to get married and raise a family. Sadly, the society they live in is not equipped to cater to their desire for more independence. In spite of the training they receive on becoming “responsible adults,” all four of them remain dependent on others to make decisions for them, much to their frustration.

In 2020, Elias van Dorne, CEO of VA Industries, the world’s largest robotics company, introduces his most powerful invention–Kronos, a super computer designed to end all wars. When Kronos goes online, it quickly determines that mankind, itself, is the biggest threat to world peace and launches a worldwide robot attack to rid the world of the “infection” of man. Ninety-seven years later, a small band of humans remain alive but on the run from the robot army. A teenage boy, Andrew and a teenage girl, Calia, form an unlikely alliance to reach a new world, where it is rumored mankind exists without fear of robot persecution. But does this world actually exist? And will they live long enough to find out?

A completely hand-made historical micro-epic about the final minutes in the life of Winnipeg’s doomed Second World War hero, Andrew Mynarski (1916-1944). Combining wartime aviation melodrama with classical and avant-garde animation techniques (including stop-motion, silhouettes, bleaching, scratching, hand-painting and rubbing letratone patterns directly on the celluloid) Mynarski Death Plummet is a psychedelic photo-chemical war picture on the theme of self-sacrifice, immortality and jellyfish.

From director Andrew Rossi (PAGE ONE: INSIDE THE NEW YORK TIMES, THE FIRST MONDAY IN MAY) comes an electrifying portrait of writer and performer Okwui Okpokwasili and her acclaimed one-woman show, BRONX GOTHIC. Rooted in memories of her childhood, Okwui – who’s worked with conceptual artists like Ralph Lemon and Julie Taymor – fuses dance, song, drama, and comedy to create a mesmerizing space in which audiences can engage with a story about two 12-year-old black girls coming of age in the 1980s. With intimate vérité access to Okwui and her audiences off the stage, BRONX GOTHIC allows for unparalleled insight into her creative process as well as the complex social issues embodied in it.